Tuesday, August 27, 2013

Teaser Tuesday: Short and Not-so-Sweet

Cover Art for Emily's Heart,
Book 3 of the Akasha Chronicles
Arrives February 1, 2014

Art copyright PhatPuppy Art
Until recently, I hadn't written short stories since I was in high school. Don't ask me how long ago that was. Suffice it to say, more than a few years.

Instead, my fiction writing has been devoted solely to long works - novels. I have been known to say, "I don't know how to write short stories. I can only write long ones."

I hope that isn't true. I hope that I can write short stories as well as long. I better be able to because my next release, Emily's Heart, contains short stories.

I hadn't planned to include short stories within the telling of the last installment of Emily's tale. But when I began to write Emily's Heart, I felt I needed to get a grip on the Apocalyptic World that was unfolding around Emily and crew. The only way I knew how to "see" her world was to write it.

What came out was a series of short stories that act as short vignettes showing the world in which Emily lives in Emily's Heart. And by writing them, I have discovered that I can indeed write short stories. I hope . . . 

Here is one of the stories. Fair warning: All of these "Apocalyptic World" scenes are dark. Blood is shed. People die. Alot. 

Happy Reading ;-)

.     .     .

The Apocalyptic World


Sophie cracked her gum and tapped her left foot in time to the music blaring from her car’s speakers. I’m going to be late for work again.
She’d used the traffic excuse one time too many. “Leave ten minutes earlier,” her manager had said.
He wants me to look like a model to sell his clothes and be on time. Dude’s trippin’.
The L.A. freeway was a parking lot. Sophie didn’t mind too much. It gave her time to text her boyfriend Rob then her best friend Hayleigh. She looked up occasionally to see if she could move her car a few feet forward. She’d let her foot off of the brake, let her car coast a car length or so, then brake and go back to her phone.
Barely audible over the sound of her gum cracking and music, Sophie heard a car horn. She glanced up and out of the corner of her eye she saw the driver in the car behind her flipping her off. Though she couldn’t hear him, she could see that he was red-faced and yelling at her.
What the hell?
Sophie looked forward and noticed that traffic had advanced at least two to three car lengths ahead of her.
“Whatever, dude. It’s not like moving a hundred feet matters.” She knew the red-faced man in the car behind her couldn’t hear her, but she said it out loud anyway. Sophie let her foot off of the brake to ease forward. Her car didn’t move. She pressed her foot lightly on the gas pedal, but the car still didn’t move.
Stalled. Shit!
She shoved the gear into park, turned the key first to the off position, then back to on. Nothing.
Dammit!
Sophie turned the volume down and this time when she turned the key, she heard the engine turning over, trying to catch and start. With the volume down, Sophie could also hear the chorus of car horns blasting behind her.
Traffic in the lanes on either side of her had started to creep along slowly around her, but it was still bumper to bumper, no one leaving room for the cars piled up behind her to cut into a new lane. Sophie cranked the engine again and it whined in revolt.
“Come on you son-of-a-bitch! Come on!”
While Sophie worked the key and gas pedal, she glanced into her rear view mirror. The man behind her was red in the face with anger. He pounded his fists on the steering wheel and gestured wildly at her.
Sophie decided to change her tactic with her car. Yelling at it hadn’t worked. Maybe sweet talking is what it needed.
“Come on, start, please. Just start up now so this guy behind us doesn’t ram into you. ‘Kay?”
Beads of sweat had broken out on her temples and above her lip. She felt the sweat pull the perfect face that had taken her over an hour to put on melt down her cheeks.
She turned the key and mashed the pedal, but still the car whined but didn’t start. Sweet talking didn’t work either.
Time for a threat. “Start, bitch, or I’ll sell you for scrap!” she screamed.
She turned the key again and the engine purred in response.
“Good girl,” Sophie said. She moved the gear shift to D and pressed on the gas. She hadn’t gone but a few car lengths when she saw a blur of red in front of her.
Before she had time to register that it was a red Fiat, instinct caused her to slam her foot onto the brake. But it was too little too late. She couldn’t stop her forward momentum. She heard the crash before she felt the impact as her car slammed into the little red Fiat. Sophie felt her head whip forward then snap back as her air bag swelled and pressed against her chest. The seat belt dug into her shoulder making her wince in pain.
Before she could take stock of her injuries, she was once again whipped forward then back as she heard metal crunching against metal. She looked in her rear view mirror and saw that the man behind her was already getting out of his car.
Sophie fumbled with the latch of her seat belt. She heard someone pounding on her window.
“Get out here, stupid bitch!” a man’s voice said.
Sophie’s hands trembled and shook so much that she could barely operate the button to roll down the window.
“I’m sorry,” she said. Her throat was so try that her voice came out like a frog croak. “The guy ahead, in the Fiat. He cut me off. I couldn’t stop in time.”
The angry man shifted his attention to the red car. Sophie watched as the man marched ahead to the driver's side of the Fiat. With her window still down, she heard the angry man banging on the window of the Fiat.
“Get out of your fuckin’ car you fuckin’ faggot,” the man yelled. He continued to bang and yell obscenities, but the driver of the Fiat neither got out nor looked in the angry man’s direction. The driver of the Fiat sat still as stone.
Sophie rolled up her window. It did little to drown out the sounds of the angry man or the car horns blaring, but she felt a bit safer with the window between her and the threat of violence that loomed outside.
Sophie felt tears well in her eyes. What should she do? What had my dad said? Why hadn’t I paid closer attention? There was something about getting the driver’s insurance information. But that would require her to get out of the car. Fat chance!
Call the cops. Yes, she was supposed to make a report. That she could do. She didn’t need to leave the safety of her car to dial.
Her fingers shook as she pressed the three numbers, 911. She put the phone to her ear and heard it ring three times, then five, six. Isn’t anyone going to pick up? I have an emergency here!
Finally an operator came on the line.
“911, what’s your emergency,” he said. The operator sounded as bored with his job as she was with folding clothes at her job.
“I was just in a car wreck,” she said.
“You and half of L.A. Welcome to the club,” he said.
Sophie didn’t know what to say to that. He doesn’t even seem to care!
“Okay,” she finally said. “That’s great, but I really need a cop to come here and help.”
“What’s your location?” the operator asked.
“Ummm . . .” What’s my location? She hadn’t been paying attention to street signs as she texted and listened to music and otherwise tried as best she could to pass the time in the traffic jam without being bored out of her skull. She looked up and around for exit signs or other markers, but she was in a spot without any signs. Shit, I don’t know where I am.
“I’m not sure exactly. I’m on the 405 between Culver Boulevard and Santa Monica Boulevard.”
“How the hell am I supposed to dispatch someone to you when you don’t even know where the hell you are?”
The tears that had pooled in her eyes spilled over the dam. She’d never had to call 911 before. She’d never been in a car accident before. She was scared and the man on the other end of the phone berated her.
“I’m sorry,” she said. Her voice cracked as she talked and cried at the same time. “This is my first accident, and there’s this angry man beating on the car in front of me, and . . .”
Sophie stopped talking when she realized that the small, red-faced man was walking by her car and back to his. Maybe he’ll stay in his car now.
“Are you still on the line?” she hard the nasally-voiced operator say.
“Yeah. I’m here.”
“Is anyone injured?”
“No. At least I don’t think so. But the guy in the car ahead of me hasn’t gotten out of his car, so I don’t know if he’s okay.”
As she spoke, the red-faced man again walked by her car, this time gripping a tire iron in his hand. Sophie saw that he had rolled up the sleeves of his shirt and his forearm bulged as he stomped back to the Fiat. He screamed, “Get outta da fuckin’ car!” When the driver did not oblige, the red-faced man pulled back the tire iron and began to wail on the Fiat’s driver’s-side mirror. Sophie heard glass crash to the pavement.
“This guy is going ape shit,” she said. She almost forgotten that the 911 operator was still on the other end of her phone line.
“What?” he asked.
“This guy – from the car behind me – he’s out of his car and he’s beating a tire iron against the car in front of me. He’s trying to get the other driver to get out, but the other driver is just sitting there. He’s . . .”
Over the sound of the crashing glass, Sophie heard the loud crack of a gun shot. Then another and a third. Sophie jumped, her heart thumped hard in her chest.
She watched as the red-faced man fell face-first against the door of the Fiat, then his body slid down the door to the ground. It was only then that she saw that the driver of the Fiat had moved. She watched as he pushed his door open, get out and step over the body of the red-faced man. The Fiat driver still held the gun in his hand. He was walking toward her.
Sophie’s hand dropped her phone but she didn’t hear it fall to the floor of her car. She heard only the sound of her blood rush in her ears. She didn’t hear the 911 operator’s voice ask, “What happened? Were those gunshots? Are you still there?”
“Please don’t hurt me. Please don’t kill me,” she whispered.
A young man, no more than twenty, sauntered toward her. His dark hair hung to his shoulders, his face so pale that the afternoon sun shone off of it. He was thin and fit and dressed in black from head to toe. He stopped at her door, bent down to look inside and removed his dark sunglasses revealing large, black eyes.
What . . . what is he?
He gestured for her to roll down her window. Every instinct inside her screamed, “Don’t!” But despite all sensible thoughts, she felt her hand push the button and roll down the window.
The black-eyed man’s lips curled into a small smirky smile. “You scuffed up my car,” he said.
Sophie knew that the accident wasn’t her fault. But she also knew that it was best to keep that to herself seeing as how the man was holding a gun.
“I’m sorry. I didn’t see you. My dad has good insurance. He’ll pay to repair the damage, I swear he will.”
Sophie didn’t want to look into the man’s eyes. They were creepy. And looking at him made her feel cold. So cold. She shivered.
Even though she did not look him in the eye, she felt him staring at her. It was the kind of look she was used to. Young guys, older men. She frequently felt them look at her as she walked away from them. Sometime she’d look back and see them staring at her butt. Some even blatantly looked her up and down. And then there were the nasty creepers, middle-aged men that came into the store she worked in. They lied and said they were looking for clothes for their daughter. But she and the other girls who worked there knew they came in just to stare lustily at the pretty, teen girls.
But this guy was no middle-aged creeper. If she hadn’t just seen him blow a guy away, she might think he was hot.
She didn’t want to look in his eyes again, but something made her look again. When she did, she shivered again and goose bumps broke out on her arms.
This dude’s not right.
“Come with me,” he said at last.
Without thinking, she blurted out, “No thanks.” She wished she had taken the time to compose a more diplomatic way of saying that.
“It was not a request, but a command,” he said. His voice had become more firm and deeper. “Come with me.”
“Why?”
He looked her up and down. “You will be my bitch. The master will like you. I know that he will,” the man said.
Master? What the hell is he talking about? I bet he’s in some bat-shit-crazy cult or something. Then a horrid thought came to her mind. They want to rape me. Master. I’ll be a sex slave. Fresh, hot tears streamed down her face and fell into her lap.
“Thanks, but no. I . . . I have a boyfriend,” she said. “And, I’m only seventeen. You know, jail bait.”
The black-eyed man let out a throaty laugh, but his eyes didn’t laugh. They remained cold and hard and black.
“Come with me, or die,” he said. To illustrate the choice, he pulled the gun up and pointed it to her head.
“Help!” Sophie screamed. “Help, he’s going to kill me!” Doesn’t anyone see this maniac with a gun? Doesn’t anyone care? Sophie glanced to her right and saw a car right next to her. But the driver’s eyes were fixed forward, seemingly oblivious to her plight. Sophie suddenly felt wholly alone in the world, as if there existed only her and the black-eyed maniac with a gun to her head.
“Help me!” she screamed again as loudly as she could. But the driver in the car next to her didn’t even flinch.
“Last chance. You’re one hot bitch, but I haven’t got all day. Come with me, or die.”
“Why are you doing this?”
“Because I can.”
“But the police are on their way. And where are you going to take me? You’re car is gridlocked. You’ll go to jail.”
He answered with laughter.
“You’ve got a nice rack. You would have been fun,” he said.
The black-eyed man walked back to his car, stepped over the red-faced man’s lifeless body, closed the car door, put his gun under the seat and drove off into the now free-flowing traffic. Away from the sound of sirens. Away from Sophie’s car. Away from her still-warm body, slumped over the steering wheel.


Friday, August 23, 2013

Will Love Blossom in Emily's Heart?

Cover Art for Emily's Heart
Art Copyright 2013 Claudia McKinny
I've been writing like a banshee, trying to finish up Emily's Heart, the third and final installment of the Akasha Chronicles. Emily has had to fight her way through more than a few battles in the last two books, but she hasn't seen anything yet! Emily and crew are surrounded by danger at every turn in Book 3.

And I've faced my battles too while writing this danged book! Sometimes I've felt as besieged as Emily is ;-/

But the good news is that I've fought my way out of blind alleys and dark corners, and the end is near. Phew! *wipes brow*

This week I've been working on the book description. If you're a self-publishing writer, you can probably relate to how ridiculously difficult it is to write the description for your own book. I've tried to write this about a half dozen times, but each time either ended up with two sentences or three pages! 

Here is my latest attempt. It's a bit different. Maybe that's good. Maybe it's not. 

I appreciate honest feedback from any and all about your thoughts on this book description for Emily's Heart. Is it too long? Too short? Does it pull you in? Does it make you want to read the book? Or does it bore you? Confuse you? Your comments are most welcome.

Emily's Heart:

Seventeen-year-old Emily Adams unwittingly unleashed the shadow god's dark energy power into the world and started an Apocalypse. But Emily is also the only one that can end the dark god's reign. Though the powerful faerie magic of the golden torc is still coiled around her arm, self-doubt threatens to undo her. Emily wants nothing more than to feel the soft kiss of her one true love, but he won't even speak to her. Her first crush is still quite dead and her best friend remains a prisoner in the dark god's house of nightmares. A growing legion of black-eyed shadow people, devoid of conscience, roam the streets. Emily needs help now more than ever, but redemption seems far off indeed as she faces the darkness alone.

Emily will need an army of her own if she is to save the world from an eternity of darkness. But will a small band of Lucent geeks and freaks be enough to send the dark god packing?

Amidst chaos and ruin, will love blossom in Emily's Heart?


Wednesday, July 31, 2013

Writer Wednesday: Beth McNamara

Please welcome my guest, EN McNamara to this week's Writer Wednesday. EN's Young Adult series, The Jamie Keller Mystery Series, sounds like a fascinating read about real-world kids dealing with some heavy stuff. Check it out:

EN McNamara, Author
Greetings Readers,


My name is EN McNamara and I am the author of The Jamie Keller Mystery Series.

As I scan the popular YA titles, I can't help but notice that vampires, sorcerers, werewolves and unicorns crowd the shelves. Often the theme is good over evil, light over dark, along with the message that you are the ruler of your own destiny. The Jamie Keller Mysteries are about real people, but the message is the same.

I believe that our mission in this life is to create our own world, and the earlier we learn this critical lesson, the happier and more peaceful our lives will be.  There is a hitch: negative thinking blocks our power. Before we can be masters of our universe, we have to get a handle on our thought process. A simple concept, but not always easy. My main character, Jamie Keller is learning many of these lessons - sometimes the hard way.

I think I am attracted to write for YA audiences because books were so meaningful to me when I was growing up. I also enjoy the middle-school crowd, as I find they possess a high level of hilarity along with very open minds. I’ve been a music teacher for the last six years so I’ve rock and rolled with the best of them.

My writing career began quite by accident. My partner, Jerry and I were mushroom hunting in our woods. Our new kittens Schwartz and Isaiah,  insisted on following us. The problem was that they had just been neutered that very morning and we were instructed by the Vet to let them rest. Out of concern we cut our trek a little shorter than usual, and the wee cats made it home without incident - they’re still alive today and quite fat. Later that evening as we sat by our wood-stove, over a glass of wine, we cooked up the bones to the first book, Off the Grid. I jumped up, grabbed my computer and began the story. It was finished thirty days later.

The Jamie Keller Mystery Series are about everyday people. The kids in the story are not super heroes.  They go to school, have chores, and worry about money and grades. They experience young love, unrequited love and the misery of jealousy. They have misunderstandings with friends and family members. They do good deeds, and they make mistakes. They dream - and sometimes they make their dreams come true.
Here are some short descriptions of the series:

Off the Grid -When Jamie Keller's father is killed in Iraq by a roadside bomb, her mother decides to combat the financial and emotional stress by moving the family from Hamilton, Ohio to the rural town of Promise, Oregon.

Fourteen-year-old Jamie narrates the tale of the journey, intermingling descriptions of family dynamics with her own personal philosophy of life.
The victims of Jamie's scrutiny include: older sister Jenny, who listens to praise music and wears a WWJD bracelet; younger brother Jake, contained and brainy, with know-it-all tendencies; and little sister Jana, lover of animals and sometimes the comic relief.

In Reno, Nevada, the mystery begins when Jamie's mother fails to pick the kids up at the mall as had been previously arranged.

After waiting for hours in the blazing heat, brother Jake finally goes in search of his mom only to return with an amazing story. He has located the car, and everything in it is intact (including the family's pet cats), but Mrs. Keller is nowhere to be found. Intensive searching proves futile. Their mother has vanished!

Nervous about becoming wards of the state of Nevada, and fearful of being put in separate foster homes, the Keller kids decide to avoid authority, choosing instead to take the gamble, and continue on to Promise, Oregon.

On the way into town, a giant JESUS banner is the first sign that Promise is in a bible belt. Jenny is thrilled, Jamie, not so.
Upon arriving at the ranch, the Kellers are met with further disappointment when they discover that the 'ranch' is nothing more than an old trailer, situated off the grid. Jake is in his element, with the challenge of solar panels, batteries and generators, but the girls are far from enchanted.

War, religion, world peace, inner peace, dealing with financial stress and self sufficiency are some of the key topics in this story.

Readers relate to the characters in Off the Grid, Over the Edge and In the Groove. The series can be read out of order but it’s much better to start at the beginning. If you do enjoy The Jamie Keller Mystery Series, I would sincerely appreciate a kindly review on Amazon.

Book 4 in the series, On the Brink, will be released in 2014.

Have a great summer Everybody,

EN McNamara

p.s. Last but not least, I’d like to thank Natalie Wright for hosting me on her blog - Thank you, Natalie!


Amazon Link
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Ddigital-text&field-keywords=the%20jamie%20keller%20mystery%20series

B&N Link
http://www.barnesandnoble.com/s/?series_id=897291

KOBO
http://store.kobobooks.com/Search/Query?Query=the+jamie+keller+mystery+series


Monday, July 29, 2013

Call for Participation in a new ParaNORMAL Project:


Have you had an experience that you can't explain? Ever seen a ghost? A UFO? Are you psychic or know someone who is? Have you had dreams that came true or premonitions?

I want to hear YOUR STORIES about experiences with the unexplained, the mysterious, the magical, metaphysical, spiritual, other-worldly . . . you get the picture.

If you have a story - or know someone who has - that you'd like to share, please contact me. I'll set up an interview and if your story is one that I think will be of general interest, I'll post your story on a new YouTube channel and here on my blog. 

E-mail me your story to: natwritesya (at) gmail (dot) com.

Friday, July 26, 2013

COVER REVEAL for The SWITCH by Dawn Pendleton and Andrea Heltsley

I'm so excited to be a part of the cover reveal for this fabulous new book, The Switch, co-authored by Dawn Pendleton and Andrea Heltsley. Who doesn't love a story about twins making the switch? Check it out:

The Switch, by Dawn Pendleton and Andrea Heltsley

The Switch


By Dawn Pendleton and Andrea Heltsley
   Honor and Faith haven’t switched places since they were kids. When Honor begs her twin sister to go on a date with her boyfriend, Cameron, Faith reluctantly agrees. The problem is that she lets things go too far. Now Honor and Cameron have broken up and he won’t stop calling Faith, claiming he felt something more for her than he ever felt for Honor. The scary thing is, Faith felt it too. She struggles to come to terms with her feelings for Cameron. There is one rule that sisters and best friends abide by, don’t date their ex’s.
   Honor has her own problems. Breaking it off with Cameron was the right thing to do, she knows that. His best friend, Parker, won’t leave her alone and forces her to talk about her feelings about the break-up. They spend a lot of time together and Honor starts to heal. Suddenly, Honor sees Parker as more than just a friend who cares. She wants more.
   Neither sister wants to complicate things further and cross those boundaries. They can’t stop their emotions for the guys in their lives. Turns out, the switch is the one thing that has changed them forever.

Wednesday, July 17, 2013

Writer Wednesday is Out of the Wilderness with Deb Vanasse

Out of the Wilderness, by Deb Vanasse
Please welcome author Deb Vanasse to this week's Writer Wednesday. Deb is the author of several books but this week I'm featuring her second Young Adult book, Out of the Wilderness. This week Deb shares with us a glimpse into her writing world and her inspiration for Out of the Wilderness. Deb's book sounds like a great read and I can't wait to dig in. How about you?


Where Book Ideas Come From?

Deb Vanasse
July 17, 2013

Where do you get your ideas? Along with questions about how books get their covers, this is a question I’m frequently asked as a writer.

The question annoys some writers, probably because it’s asked so often, at some level suggesting that there’s some magical garden of ideas that grow like Jack’s beanstalk in our fertile backyards, and if only we’d reveal the secret of where that garden can be found, writing books would be easy. Theodore Geisel (aka Dr. Seuss) got so tired of questions about where he got his ideas that he printed a card to hand out, with an explanation of exactly how he got his ideas: by venturing out at midnight, under the full moon on the summer solstice, into the desert, where he met with a wise old Native American who gave him his ideas. (Where the wise Native American got the ideas, Geisel couldn’t say.)

A book idea is a big thing to pin down. To truly know what your book is about, at its deepest level, you have to write it, and because of the way the subconscious works, it ends up with interwoven ideas that come from a number of places­—life, suggestion, dreams, landscape—that may or may not be identifiable. I don’t mind talking about ideas once the book is finished, as long as my readers understand that as the author, I may never be 100 percent sure of where my ideas came from.

Out of the Wilderness, my second young adult novel, began back in 1992, though I didn’t know at the time that a book idea was in the works. I was living in Fairbanks, Alaska, teaching high school. The school year had just started up when the newspaper reported that the body of 25-year-old Christopher McCandless, who called himself Alexander Supertramp, had been discovered in an abandoned bus on the Stampede Trail, less than 100 miles from where I was living. When found, McCandless had been dead for three weeks. His body weighed 67 pounds.

Strong-willed and idealistic, Chris McCandless had, upon graduation from college, given away the $24,000 that was intended for law school and begun traveling the country under his Supertramp alias. He went west from Virginia to South Dakota, Arizona, California, and into Baja, Mexico, before heading north to Alaska. Grossly underprepared for the wilderness, he hiked into an area north of Denali National Park and Preserve, where he survived for 112 days until he died.

It should be noted that stories like those of McCandless tend to raise the ire of Alaskans. You don’t go into the Bush unprepared. Period. If you don’t respect this country and its hazards, you shouldn’t be here.

Still, I found the story fascinating. So did Jon Krakauer, who wrote about McCandless for Outside Magazine in 1993. Expanding on the article, Krakauer released a nonfiction book, Into the Wild, in 1996; Sean Penn directed a film version of the story in 2007.


Into the Wild
Film Written and Directed by Sean Penn


Yes, there’s a connection.

When I first came to Alaska, I lived in some pretty remote places, accessible only by bush plane, motorboat, and snowmachine. Then I had children and, partly for their benefit, I’d moved from the Bush to Fairbanks. As they grew, I sometimes thought of how nice it might be to return to a simpler lifestyle in a more remote place, where we wouldn’t have to concern ourselves with TV or after-school activities or getting along with the neighbors or buying the latest trend in shoes.

Then I thought of what that would be like if I were the kid, not the mom. If I were a fifteen-year-old boy who wanted his life to be normal for once. If the boy’s older brother were a guy like McCandless, idealistic and stubborn and reckless. If their father’s guilt kept him from thinking straight about the whole situation.

There you have it—the ideas that developed into a story, the seeds planted long before the harvest, the inspiration in part, as for many writers, by the work of another author. There’s a lot more to it, of course. Pieces of my own life found their way into the story—the missing mother, my affinity for place, the tension between responsibility for others and my own desires, guilt, not knowing my brother as well as I wanted to, and likely a bunch of stuff I’ve yet to identify.

Deb Vanasse (@debvanasse) is the author of several books for children and adults, including the Junior Literary Guild selection A Distant Enemy and Battle Books Totem Tale and Lucy’s Dance. Her twelfth book, Black Wolf of the Glacier, is a 2013 release by the University of Alaska Press. Her current projects (for grown-ups) include Cold Spell, a novel about a woman who’s obsessed with a glacier, and a narrative nonfiction book called Wealth Woman: Kate Carmack and the Last Great Race for Gold. You’ll find her at www.debvanasse.com, https://www.facebook.com/debra.vanasse, and www.selfmadewriter.blogspot.com, where a version of this post ran eariler.




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