Showing posts with label #WriteTips. Show all posts
Showing posts with label #WriteTips. Show all posts

Thursday, November 1, 2018

NaNoWriMo Tips: An Ongoing List of Writing Tips & Links to Helpful Articles



Whether you’re writing your first novel this month during NaNoWriMo, or maybe writing your tenth, I’m reserving this space to gather helpful tips and ideas I’m gathering from across the net. If you have a helpful tip or link, please add it in the comments. :-) I’ll keep adding to this over the month.

Having trouble kickstarting your creativity? I found this post quite encouraging. It helped me understand why the daily writing habit (which I'm out of at the moment but hoping NaNo will change that) is so important. 

Creative Flow and Brain Wave States by Suzanne Murry

Incidentally, I’ve been using music with embedded brain wave stimulation for years. If you’re interested in trying it, I recommend Solfeggio Harmonics by Source Vibrations (link takes you to iTunes (not an affiliate link).

Wednesday, December 6, 2017

Writer Wednesday: Acting Professional by Randy Ingermanson

Photo Courtesy Pexels.com
I can’t believe it’s December, y’all! And that means that in less than a month, it will be time for PENuary. In support of encouraging better writing habits—for myself as well as other writers who struggle to maintain consistency—I’m working to re-establish my Writer Wednesday habit here on the blog. If you’re a writer, check in on Wednesdays for writing and marketing tips as well as writer inspiration.

Today I’m sharing a post for writers written by Randy Ingermanson (credit and links to his website below the article). If you don’t already subscribe to Randy’s E-Zine, I highly recommend it. His newsletters always contain useful tips for writers.

There are many aspects of marketing, but in this article, Randy succinctly pinpointed an issue that all writers need to take to heart: Professionalism. And he has three easy, highly actionable tips to improve your writer professionalism.


Marketing: Acting Professional

I went to my first writing conference in the summer of 1989. That was life-changing for me. Up till then, I didn’t know any authors. Or editors. Or agents. I met a few of each at that first conference, and some of them have been part of my life ever since.
The talk that had the most impact on me at that conference had a very simple message: “Be professional.” 
The author who gave the talk said a lot of things I don’t remember, but I do remember her repeating that simple phrase. “Be professional.” And I remember that she translated it into actions. “Being professional” really boils down to “acting professional.”
She wasn’t talking about being phony. There are writers out there who talk a big talk but aren’t actually doing much writing and certainly aren’t professional.
She was talking about behaving in a way that marks you out as a serious writer who will someday be a professional writer, even if you aren’t there yet and aren’t making any money. Writers who start out right tend to end up right. That’s just the way it is.
Back in those days, “acting professional” included getting some expensive letterhead paper for correspondence with editors. I dutifully went out and bought a ream of high-quality paper and spent some time creating an electronic template that would make a nice letterhead when printed. I even used it a few times. But I’d bet I’ve still got 480 sheets out of the original 500. Times have moved on, and nobody needs letterhead anymore. 
So what can a writer do that will fit the description of “acting professional” these days? I don’t want to overwhelm you with a long list, so I’ll keep this short.
Here are three things for starters.

Set up a Writing Budget

Very early on in my writing career, I realized that it takes money to make money. In those days, going to writing conferences was essential, and conferences cost money. I didn’t have a lot of cash, but I began setting aside $15 every month. That was money that I could spend on my writing, no questions asked.
The amount you budget is less important than the fact that you’re doing it. 
Having a writing budget means that you are serious about this writing thing. It means that you’re telling the rest of your family that this is important to you, it has value, and it has a cost. It also means that when it comes time to buy something you need for your writing, you don’t have to fight about it with anyone. You just take the money out of the pot you’ve already set aside.

Own Your Domain

Your “domain” here means the domain for your web site. You may not need a web site yet. You may not need one for several years.
But eventually, if and when you start getting your work published, you’ll need a domain for your web site. And it won’t be fun to discover that the domain you had in mind just got bought by a porn star who happens to have your same name. It can happen. It did happen to a writer I know.
You don’t buy a domain name; you rent it. You pay an annual fee to a domain registration site (for example GoDaddy.com or one of the many other sites that let you register a domain). 
It’s not terribly expensive to rent a domain. Figure around $10 per year. You just need to keep paying it every year without lapsing. It’s easy to set up an auto-renewal for your domain so it keeps renewing every year.
Ideally, your domain name should be your author name or something as close as you can get to your author name. 
But you need to be careful here. If your name is hard to spell (say your last name is Umstattd), then you’ll catch a lot of grief from people who can’t spell your name, which is almost everyone. In that case, you might want to think about not using your last name in your domain. You might need to get creative here.

Let's say your name is a more common one that's reasonably easy to spell. We'll take Jane Smith, as an example. What domain name should you use? There are a couple of issues to think about.
First, if you create a web site using one of the inexpensive builder tools (for example, Wordpress.com), you should make sure you get a custom domain—not the default Wordpress domain. You don’t want to spend five years building a site at JaneSmith.wordpress.com, and then move it to JaneSmith.com. If you do that, all the links to your old web site will fail.

Second, if your name is extremely common, it might turn out that the domain you want is already taken. If JaneSmith.com is taken, you might have to add a middle initial and make it JaneKSmith.com. Or JaneSmithAuthor.com. Or JaneSmithBooks.com. Generally, with a bit of thinking, you can find a domain that works for you.
With domain names, shorter is better. And it’s nice if you can pass the “radio test,” meaning that if you’re doing an interview on the radio and give out your web site address, people can easily figure out how to spell it. But you can’t always get exactly what you want. Do your best.

Have a Professional E-mail Address


This is easy to do, but it’s where a lot of writers fall down. 
There are two mistakes to make here:
  1. Using an e-mail address with a domain that isn’t yours.
  2. Using an e-mail address that doesn’t have your name in it.
Let’s talk about these in a little more detail. It’s important to get these right, but you need to also do them in the correct order.
First, your domain name. It’s very tempting to use the free e-mail address that comes with your internet service provider. So if you’re using Comcast, then maybe your account is John17@comcast.net
The problem comes five years from now, when you move to a new place and you’re no longer with Comcast. Now maybe you’re using ATT.com or CenturyLink.net or whatever. And suddenly your old e-mail address no longer works.
Now you’ve got five years worth of friends who all have the wrong e-mail address for you. If these include all your editor, agent, and writer friends, you’ve got a problem.
The solution is blindingly simple. If you’ve already nailed down your domain for your future web site, set up an e-mail account that goes with that domain. So if your domain is JaneKSmith.com, set up an email address for yourself as Jane@JaneKSmith.com. Later, if you get a virtual assistant, she might be Camy@JaneKSmith.com. If you add a PR guy, he might be Brad@JaneKSmith.com. Or if you change PR people every six months, maybe the email address they use will just be the generic PR@JaneKSmith.com
Some writers insist that they can’t set up an e-mail address on their own domain yet because it’s too much trouble. So they set up a free account at hotmail or yahoo or gmail or whatever. 
This is not ideal. A hotmail or yahoo email account definitely marks you as an amateur. A gmail account is a step up; it’s perceived as more professional. If you insist on using a gmail account, you still need to make sure that your name is part of your address. 
JaneKSmith@gmail.com is an acceptable e-mail address. If somebody gets an e-mail from that address, they know who sent it.
But imagine getting e-mail from any of these people:
  • Jack1947@gmail.com  (Now we all know what year Jack was born, but he may not want us to know that. Unfortunately, we don’t know his last name, and he probably does want us to know that. Who is this Jack?)
  • JaneAndBillAnd3Cats@gmail.com (This looks like a shared account, which means an e-mail sent to Jane might get read by Bill. Or deleted by Bill. But what happens if Jane and Bill split up next year? Who keeps the e-mail address? And again, who is Jane?)
  • IWrite4Jesus@gmail.com (Great, but who ARE you? And does Jesus know you’re writing for him?)
  • SpaghettiMonsterGuy@gmail.com. (No doubt this is hilariously funny to your five buddies you hung out with in college. However, the rest of us aren’t in on the joke. Also, we have no idea who you are.)
And yes, I’ve seen e-mail addresses similar to each of these, some of them many times. 

Act like a professional. Get an e-mail address that looks like it came from you. (And yes, I know that you can set up your e-mail program to put your name in the “from” line along with your e-mail address. Not everybody does this. Oddly enough, it’s usually the people with unrecognizable e-mail addresses who don’t do this.)

This article is reprinted by permission of the author.
Award-winning novelist Randy Ingermanson, "the Snowflake Guy," publishes the free monthly Advanced Fiction Writing E-zine, with more than 17,000 readers. If you want to learn the craft and marketing of fiction, AND make your writing more valuable to editors, AND have FUN doing it, visit www.AdvancedFictionWriting.com.

Wednesday, November 18, 2015

NaNoWriMo November: Are you Keeping up with Spielberg or Writing at the Pace of Kubrick by M.H. Vesseur

NaNoWriMo
Have you ever had to put your writing on hold? And not just for a day or two, but for months.

Last year I had a long hiatus from writing when I experienced several deaths in my family. I was frozen, unable to write even a grocery list.

I can relate to the post today by my guest, M.H. Vesseur. And like he points out, the writing hiatus, while painful to get through, can yield a better story. I call it percolation of ideas. And like with coffee, percolating can be a good thing.

And don't forget to enter the Rafflecopter giveaway at the end of the post :-)

If you can’t keep up with Steven Spielberg, try Stanley Kubrick

by M.H. Vesseur


Snow Forest, by M.H. Vesseur
The true test of authorship is not when things are going smooth. It is when something gets in the way of you and your writing. And when it stays that way for a long time. Did that ever happen to you? It happened to me recently and I learned a valuable lesson in its wake. I’m happy to share it with you here.

“If you can’t fix it you’ve got to stand it”
Because of an extremely busy time at my work I felt compelled to abandon the writing of a novel for approximately six months in a row. It is simply too painful to long for writing and see it blocked time after time, day after day. My work needed my full attention so it was better for my peace of mind to pause the spin-off novel I had just started. The thought that kept me going, is the closing line from the short story Brokeback Mountain by E.A. Proulx: “There was a large open space between what he knew and what he tried to believe, but nothing could be done about it and if you can’t fix it you’ve got to stand it.”

Henry Kissinger was right
So I pushed the novel and everything connected to it to the back of my head. Not that this was easy. Nor was I happy about it. I just kept the thing deep inside, while I attacked my work like a robot. Like Henry Kissinger said: “The urgent drives out the important.”

Then, after a month or so, something unexpected happened. Somewhere in the deep of my unconscious, the unfinished novel kept crawling around. Ideas for plot enhancements and character enhancements started to float to the surface and present themselves to me. It happened to me in a streetcar looking out the window. It happened in the shower. Doesn’t matter. I wasn’t thinking about plot enhancement or character enhancements, I swear! I thought I had the story figured out, thought I knew where I was going.

But my subconscious showed me new ways to write it. The story that was supposed to be “on hold”, had started to move around in my head. From it came ideas way beyond my normal way of working. From it came the desire to up the ante.

If you can’t be Steven Spielberg, be Stanley Kubrick
After seven months I was able to reboot my writing. It started terribly slow, but I was happy to pick up where I left off, with a new attitude. As I write this guest post, I’m reminded of the difference between filmmakers Steven Spielberg and Stanley Kubrick. While Spielberg makes movies in a dazzling tempo (frankly I’ve stopped counting), Kubrick tossed ideas and screenplays around for years and years. They were both successful in their own way. Kubrick didn’t really want to work on a movie for eight years, it just happened to him. But the slow pace surely influenced his body of work. Stuff happened that doesn’t happen to Spielberg because he works so fast. I’m sure this applies to Stephen King as well. They’re all champions in their field, I must add. It’s just that if you slow down, unexpected things might happen.


So if you’re ever in a situation where you are unable to write for a longer period of time, relax and let it happen. Letting go of your writing goals for a while can trigger underlying thoughts to surface. Stuff worth giving a chance. You’ll be writing again before you know it, and probably be better at it.

Acid Asset by M.H. Vesseur
Carl Pappas, the bizz jockey, is feeling good about the prospects of environment-friendly plastics he’s discussing on his radio show “The Boardroom”. But as he soon finds out there’s something not right with the company behind it. Can the bizz jockey protect a lonely scientist against the schemes of a large corporation that smells money? Or will he be unable to stop a revolutionary asset from becoming really acidic? Buckle up for a race against arsonists, corporate crime, dogs, bullets and a dangerous industrial zone in the middle of a blizzard, softened only by some real team spirit. Available in every Amazon store as ebook.

READ THE 1ST PAGE of ACID ASSET ON BooksGoSocial:

LISTEN TO THE 1st CHAPTER ON BooksGoSocial:

BUY ACID ASSET ON AMAZON:


Unexpected ideas can come from the fog of a writing pause.
Author M.H. Vesseur
You can connect with M.H. Vesseur here:

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