Book Review Friday: LEVERAGE, by Joshua C. Cohen

Today I'm reviewing Leverage, by Joshua C. Cohen. In case you missed it, please check out my interview of the author, Josh Cohen, AND enter the Giveaway for FREE, signed copy of Leverage, by clicking here.


Let's start with the description of Leverage from Goodreads:



"The football field is a battlefield

There's an extraordinary price for victory at Oregrove High. It is paid on - and off - the football field. And it claims its victims without mercy - including the most innocent bystanders. 

When a violent, steroid-infused, ever-escalating prank war has devastating consequences, an unlikely friendship between a talented but emotionally damaged fullback and a promising gymnast might hold the key to a school's salvation.

Told in alternating voices and with unapologetic truth, Leverage illuminates the fierce loyalty, flawed justice, and hard-won optimism of two young athletes."


Okay, this is accurate description - sort of. But I found it odd that nowhere in the description of this book does the publisher ever use the word "bully." And that's odd, since this is a book largely about bullying.


Yes, there is an ever-escalating prank war, but that makes it sound like what happens in the book is somehow the shared fault of the victim of things gone too far. And that is NOT how the book is written.


Yes, there are football players - and male gymnasts. Yes, they engage in a prank war. And yes, the school's pride - in fact the whole town's pride - in their football team is at the heart of the story. It informs as to why some of the characters make the choices they make.


But in Leverage, sports is part of the setting. It's the background of the human drama. And Leverage is, more than anything, a human drama, and a story about bullying.


In our social media age, bullying these days often takes the form of cyber-bullying. But in Leverage, bullying is the old-fashioned kind. "I'm big, you're small, therefore I can do to you what I want. And because I'm seen as popular (i.e. powerful), I'll get away with it." 


Bullying is pervasive in our society and it doesn't end when you become an adult. A person can be bullied at work, in their marriage, or even bullied by media. For that reason, books like Leverage are so important. We need to discuss this topic. We need to explore it. 


Leverage is not a sports book. It's a book about bullying, choices, courage and relationships - and that's why it's worth a read. So take the cover and the cover copy blurb (chosen by a publisher, not the author), with a grain of salt.


The story is told from two different perspectives - Danny and Kurt. Danny is a sophomore, small and a gymnast. Kurt is a large, hulking football player. He's not stupid, though his stutter makes him appear so. Danny and Kurt form a strange duo and an unlikely pair.


Of the two, I enjoyed Kurt - liked Kurt - so much more than Danny. Kurt's story is entirely sympathetic. We root for Kurt and hope that it all works out for him. Kurt is a well-crafted character and one of the highlights of the story. 


The poignant thing about reading a book like Leverage is that you just know that there are Kurt's out there. People who have suffered abuse like he has. Who have been dealt shitty cards like he has. You just  hope that real kids dealt cards like that find the inner fortitude that Kurt finds to do the right thing and to lift themselves out.


I am not a fan of sports stories. If it wasn't for hearing the author discuss this book at a book festival, I probably would not have picked it up based on the cover and description. I would have judged it by its cover.


I am so happy that I picked it up, despite the cover. Leverage is a tautly woven tale about making choices, about finding courage, and about the consequences of our actions. Cohen creates wonderful tension in the book. You know from the first couple of chapters that something bad is going to happen. You don't know what and you don't know when. But you know it's coming.


The "bad thing" that happens comes at about the 40% mark. And as a reader, I felt the tension - actually began to sweat - as the "bad thing" began to unfold. Author Cohen did a great job of "showing" just the right amount. The big scene isn't for those who cannot abide any form of sexual violence (fair warning). As someone who avoids contemporary realism (I love Ellen Hopkins' writing but find her books too harsh to read), I was able to read Leverage. The author didn't resort to sensationalizing the scene to emotionally manipulate the reader. 


The remainder of the book explores the aftermath of the horrible thing that happens. The main characters, the ones involved - even the town itself - is explored.


Joshua Cohen is a bright star of a writer, giving us a wonderful first book that makes us want more from him.


I highly recommend Leverage and give it:

 5 Hawks

A WORD OF CAUTION: Leverage deals with mature themes and includes graphic violence of a sexual nature. I do not recommend this book to those under 13, and give it a PG-13 rating.

Friday Book Review: Where Things Come Back & My Recommendation for How to Win the Printz Award

I recently finished reading Where Things Come Back, a young adult literary fiction novel recommended to me by a writer friend.

Here is the summary from Goodreads:

Just when seventeen-year-old Cullen Witter thinks he understands everything about his small and painfully dull Arkansas town, it all disappears. . . . 

In the summer before Cullen's senior year, a nominally-depressed birdwatcher named John Barling thinks he spots a species of woodpecker thought to be extinct since the 1940s in Lily, Arkansas. His rediscovery of the so-called Lazarus Woodpecker sparks a flurry of press and woodpecker-mania. Soon all the kids are getting woodpecker haircuts and everyone's eating "Lazarus burgers." But as absurd as the town's carnival atmosphere has become, nothing is more startling than the realization that Cullen’s sensitive, gifted fifteen-year-old brother Gabriel has suddenly and inexplicably disappeared. 

While Cullen navigates his way through a summer of finding and losing love, holding his fragile family together, and muddling his way into adulthood, a young missionary in Africa, who has lost his faith, is searching for any semblance of meaning wherever he can find it. As distant as the two stories seem at the start, they are thoughtfully woven ever closer together and through masterful plotting, brought face to face in a surprising and harrowing climax. 

Complex but truly extraordinary, tinged with melancholy and regret, comedy and absurdity, this novel finds wonder in the ordinary and emerges as ultimately hopeful. It's about a lot more than what Cullen calls, “that damn bird.” It’s about the dream of second chances.

At the outset let me say that I give this book 3.5 Hawks and recommend it for the quality of the writing. If you enjoy literary fiction for young adults, then this is up your alley. The author, John Corey Whaley, is a gifted writer and I would read his next book solely based on the strength of his writing. But if you weren't a fan of The Catcher in the Rye and/or Looking for Alaska, then you may want to pass on this book.


There are several things keeping this book from getting a higher rating and if you read through some reviews on Goodreads, other reviewers point out things I agree with (cheesy naming of characters; annoyance with the protagonist breaking into 3rd person reveries that slow down the plot (a lot); the chapters about the religious fanatics told in 3rd person; and the stupid woodpecker that I frankly just never thought fit with this story no matter how much the author wanted to use the story of that damned bird).


Despite its faults, Where Things Come Back was a quick read and its ending was satisfying. It even got an emotional response out of me at the end.


But my biggest beef with Where Things Come Back is its stylistic and overt  reference to The Catcher in the Rye. I'll put my cards on the table and state emphatically and without any hesitation that I did not enjoy The Catcher in the Rye and wish wholeheartedly that people who want to write books for young adults would stop being taught J.D. Salinger's single opus magnum so that writers (especially young males trying to write hip books for other young males) would stop emulating Mr. Salinger. It is the 21st century. Can we please find a new paradigm for award-winning young adult novels other than the cynical, trying to be hip, sardonic, swearing-every-other-word, protagonist-so-annoying-that-you- want-to-hand-them-a-gun-so-they'll-do-themselves-in-already style of The Catcher in the Rye? 


It was in fact both the overt reference and stylistic reference to Catcher that had me dogging John Green's Printz Award winning novel, Looking for Alaska. When I hear a character in a novel written in the 21st century refer to  The Catcher in the Rye as their favorite book, it makes my eye twitch. In the 2000's, with the proliferation of so many amazing books available now to young adults, it seems like a writer with any imagination at all could think of a fresher read for a person aged 14-18 to carry around with them as their favorite.


If I read one more award-winning book that references Holden Caulfield, The Catcher in the Ryeor emulates the writing style of J.S. Salinger, I will likely throw it - hard - across the room and cause a ripple in the force with my scream of anger.


If you are a writer and you love The Catcher in the Ryeso much you have an orgasm just thinking about it and want nothing more than to emulate the "hip" writing style of J.D. Salinger, then I say go for it. Write that story. Then kindly hide it in some lost-somewhere-hidden file on your hard drive. Forget about it and go write a book in your own style that doesn't include a Holden Caulfield character.


That is, of course, unless you want to win the Printz award. If you aspire to write books that make the Printz award committee gush and give you the gold sticker, then by all means write a novel that is Salinger-esque. Make sure you find a curse word to repeat over and over again, such as goddamn (Catcher) or ass-hat (Where Things Come Back). Fill your main character with existential angst. And make doubly certain your protagonist is an annoying son-of-a-bitch that a majority of readers will wish would die already rather than speak one more sentence. Then shoot your Salinger-esque manuscript off to an agent. Make sure your promotional materials make you sound Salinger-esque


Thankfully John Green didn't talk himself into believing that winning that Printz award early on for Looking for Alaska was an endorsement of the Salinger-esque style and stay forever in that mode. Fortunately for us, Green matured as an artist and this year brought us The Fault in Our Stars. TFIOS is a novel all about existential questions. It is full of teen angst. But not once when I read it was I reminded of Catcher. There is no reference to Salinger. TFIOS is the masterpiece it is because it is all Green. Not John Green trying to write like J.D. Salinger (or anyone else). TFIOS is John Green writing like John Green.


So you see it really is unfair of me to dog poor John Corey Whaley for doing the same thing that John Green did back when he was writing his first novel: emulating J.D. Salinger. But I do hope that Mr. Whaley is able to grow beyond it - to stretch and try out his own voice. He is a gifted writer and the fact that I give his book 4 stars even though I hated with a passion how it hearkened back to Catcher is a testament to his skill.


Perhaps the next legion of young writers will find a new icon to emulate. Fifty years from now a book blogger may be bitching about how all the award-winning books sound like John Green.


3.5 Hawks for Where Things Come Back