Showing posts with label Emily Adams. Show all posts
Showing posts with label Emily Adams. Show all posts

Wednesday, June 10, 2015

Audiobook Booyah: Emily's House Audio Now Live

While I was busy taking care of family emergencies over the past couple of months, narrator Chloe Golden was hard at work finishing production of the audio book of Emily's House (Book 1 of the Akasha Chronicles). I'm so pleased to announce that at long last, the much requested audio book version of my first novel is available for readers who prefer to listen to books! You can download the audio book on iTunes or Amazon AND you can use your Audible credits as well and download on Audible (links below).

Narrator Chloe Golden did a great job bringing Emily, Hindergog and the rest of the characters to life. Here is a sample of Chloe's narration of my first novel (purchase links are below).

What do you think?


Purchase on iTunes:



This link will take you to Amazon where you can either purchase or use your Audible credits:





Tuesday, August 27, 2013

Teaser Tuesday: Short and Not-so-Sweet

Cover Art for Emily's Heart,
Book 3 of the Akasha Chronicles
Arrives February 1, 2014

Art copyright PhatPuppy Art
Until recently, I hadn't written short stories since I was in high school. Don't ask me how long ago that was. Suffice it to say, more than a few years.

Instead, my fiction writing has been devoted solely to long works - novels. I have been known to say, "I don't know how to write short stories. I can only write long ones."

I hope that isn't true. I hope that I can write short stories as well as long. I better be able to because my next release, Emily's Heart, contains short stories.

I hadn't planned to include short stories within the telling of the last installment of Emily's tale. But when I began to write Emily's Heart, I felt I needed to get a grip on the Apocalyptic World that was unfolding around Emily and crew. The only way I knew how to "see" her world was to write it.

What came out was a series of short stories that act as short vignettes showing the world in which Emily lives in Emily's Heart. And by writing them, I have discovered that I can indeed write short stories. I hope . . . 

Here is one of the stories. Fair warning: All of these "Apocalyptic World" scenes are dark. Blood is shed. People die. Alot. 

Happy Reading ;-)

.     .     .

The Apocalyptic World


Sophie cracked her gum and tapped her left foot in time to the music blaring from her car’s speakers. I’m going to be late for work again.
She’d used the traffic excuse one time too many. “Leave ten minutes earlier,” her manager had said.
He wants me to look like a model to sell his clothes and be on time. Dude’s trippin’.
The L.A. freeway was a parking lot. Sophie didn’t mind too much. It gave her time to text her boyfriend Rob then her best friend Hayleigh. She looked up occasionally to see if she could move her car a few feet forward. She’d let her foot off of the brake, let her car coast a car length or so, then brake and go back to her phone.
Barely audible over the sound of her gum cracking and music, Sophie heard a car horn. She glanced up and out of the corner of her eye she saw the driver in the car behind her flipping her off. Though she couldn’t hear him, she could see that he was red-faced and yelling at her.
What the hell?
Sophie looked forward and noticed that traffic had advanced at least two to three car lengths ahead of her.
“Whatever, dude. It’s not like moving a hundred feet matters.” She knew the red-faced man in the car behind her couldn’t hear her, but she said it out loud anyway. Sophie let her foot off of the brake to ease forward. Her car didn’t move. She pressed her foot lightly on the gas pedal, but the car still didn’t move.
Stalled. Shit!
She shoved the gear into park, turned the key first to the off position, then back to on. Nothing.
Dammit!
Sophie turned the volume down and this time when she turned the key, she heard the engine turning over, trying to catch and start. With the volume down, Sophie could also hear the chorus of car horns blasting behind her.
Traffic in the lanes on either side of her had started to creep along slowly around her, but it was still bumper to bumper, no one leaving room for the cars piled up behind her to cut into a new lane. Sophie cranked the engine again and it whined in revolt.
“Come on you son-of-a-bitch! Come on!”
While Sophie worked the key and gas pedal, she glanced into her rear view mirror. The man behind her was red in the face with anger. He pounded his fists on the steering wheel and gestured wildly at her.
Sophie decided to change her tactic with her car. Yelling at it hadn’t worked. Maybe sweet talking is what it needed.
“Come on, start, please. Just start up now so this guy behind us doesn’t ram into you. ‘Kay?”
Beads of sweat had broken out on her temples and above her lip. She felt the sweat pull the perfect face that had taken her over an hour to put on melt down her cheeks.
She turned the key and mashed the pedal, but still the car whined but didn’t start. Sweet talking didn’t work either.
Time for a threat. “Start, bitch, or I’ll sell you for scrap!” she screamed.
She turned the key again and the engine purred in response.
“Good girl,” Sophie said. She moved the gear shift to D and pressed on the gas. She hadn’t gone but a few car lengths when she saw a blur of red in front of her.
Before she had time to register that it was a red Fiat, instinct caused her to slam her foot onto the brake. But it was too little too late. She couldn’t stop her forward momentum. She heard the crash before she felt the impact as her car slammed into the little red Fiat. Sophie felt her head whip forward then snap back as her air bag swelled and pressed against her chest. The seat belt dug into her shoulder making her wince in pain.
Before she could take stock of her injuries, she was once again whipped forward then back as she heard metal crunching against metal. She looked in her rear view mirror and saw that the man behind her was already getting out of his car.
Sophie fumbled with the latch of her seat belt. She heard someone pounding on her window.
“Get out here, stupid bitch!” a man’s voice said.
Sophie’s hands trembled and shook so much that she could barely operate the button to roll down the window.
“I’m sorry,” she said. Her throat was so try that her voice came out like a frog croak. “The guy ahead, in the Fiat. He cut me off. I couldn’t stop in time.”
The angry man shifted his attention to the red car. Sophie watched as the man marched ahead to the driver's side of the Fiat. With her window still down, she heard the angry man banging on the window of the Fiat.
“Get out of your fuckin’ car you fuckin’ faggot,” the man yelled. He continued to bang and yell obscenities, but the driver of the Fiat neither got out nor looked in the angry man’s direction. The driver of the Fiat sat still as stone.
Sophie rolled up her window. It did little to drown out the sounds of the angry man or the car horns blaring, but she felt a bit safer with the window between her and the threat of violence that loomed outside.
Sophie felt tears well in her eyes. What should she do? What had my dad said? Why hadn’t I paid closer attention? There was something about getting the driver’s insurance information. But that would require her to get out of the car. Fat chance!
Call the cops. Yes, she was supposed to make a report. That she could do. She didn’t need to leave the safety of her car to dial.
Her fingers shook as she pressed the three numbers, 911. She put the phone to her ear and heard it ring three times, then five, six. Isn’t anyone going to pick up? I have an emergency here!
Finally an operator came on the line.
“911, what’s your emergency,” he said. The operator sounded as bored with his job as she was with folding clothes at her job.
“I was just in a car wreck,” she said.
“You and half of L.A. Welcome to the club,” he said.
Sophie didn’t know what to say to that. He doesn’t even seem to care!
“Okay,” she finally said. “That’s great, but I really need a cop to come here and help.”
“What’s your location?” the operator asked.
“Ummm . . .” What’s my location? She hadn’t been paying attention to street signs as she texted and listened to music and otherwise tried as best she could to pass the time in the traffic jam without being bored out of her skull. She looked up and around for exit signs or other markers, but she was in a spot without any signs. Shit, I don’t know where I am.
“I’m not sure exactly. I’m on the 405 between Culver Boulevard and Santa Monica Boulevard.”
“How the hell am I supposed to dispatch someone to you when you don’t even know where the hell you are?”
The tears that had pooled in her eyes spilled over the dam. She’d never had to call 911 before. She’d never been in a car accident before. She was scared and the man on the other end of the phone berated her.
“I’m sorry,” she said. Her voice cracked as she talked and cried at the same time. “This is my first accident, and there’s this angry man beating on the car in front of me, and . . .”
Sophie stopped talking when she realized that the small, red-faced man was walking by her car and back to his. Maybe he’ll stay in his car now.
“Are you still on the line?” she hard the nasally-voiced operator say.
“Yeah. I’m here.”
“Is anyone injured?”
“No. At least I don’t think so. But the guy in the car ahead of me hasn’t gotten out of his car, so I don’t know if he’s okay.”
As she spoke, the red-faced man again walked by her car, this time gripping a tire iron in his hand. Sophie saw that he had rolled up the sleeves of his shirt and his forearm bulged as he stomped back to the Fiat. He screamed, “Get outta da fuckin’ car!” When the driver did not oblige, the red-faced man pulled back the tire iron and began to wail on the Fiat’s driver’s-side mirror. Sophie heard glass crash to the pavement.
“This guy is going ape shit,” she said. She almost forgotten that the 911 operator was still on the other end of her phone line.
“What?” he asked.
“This guy – from the car behind me – he’s out of his car and he’s beating a tire iron against the car in front of me. He’s trying to get the other driver to get out, but the other driver is just sitting there. He’s . . .”
Over the sound of the crashing glass, Sophie heard the loud crack of a gun shot. Then another and a third. Sophie jumped, her heart thumped hard in her chest.
She watched as the red-faced man fell face-first against the door of the Fiat, then his body slid down the door to the ground. It was only then that she saw that the driver of the Fiat had moved. She watched as he pushed his door open, get out and step over the body of the red-faced man. The Fiat driver still held the gun in his hand. He was walking toward her.
Sophie’s hand dropped her phone but she didn’t hear it fall to the floor of her car. She heard only the sound of her blood rush in her ears. She didn’t hear the 911 operator’s voice ask, “What happened? Were those gunshots? Are you still there?”
“Please don’t hurt me. Please don’t kill me,” she whispered.
A young man, no more than twenty, sauntered toward her. His dark hair hung to his shoulders, his face so pale that the afternoon sun shone off of it. He was thin and fit and dressed in black from head to toe. He stopped at her door, bent down to look inside and removed his dark sunglasses revealing large, black eyes.
What . . . what is he?
He gestured for her to roll down her window. Every instinct inside her screamed, “Don’t!” But despite all sensible thoughts, she felt her hand push the button and roll down the window.
The black-eyed man’s lips curled into a small smirky smile. “You scuffed up my car,” he said.
Sophie knew that the accident wasn’t her fault. But she also knew that it was best to keep that to herself seeing as how the man was holding a gun.
“I’m sorry. I didn’t see you. My dad has good insurance. He’ll pay to repair the damage, I swear he will.”
Sophie didn’t want to look into the man’s eyes. They were creepy. And looking at him made her feel cold. So cold. She shivered.
Even though she did not look him in the eye, she felt him staring at her. It was the kind of look she was used to. Young guys, older men. She frequently felt them look at her as she walked away from them. Sometime she’d look back and see them staring at her butt. Some even blatantly looked her up and down. And then there were the nasty creepers, middle-aged men that came into the store she worked in. They lied and said they were looking for clothes for their daughter. But she and the other girls who worked there knew they came in just to stare lustily at the pretty, teen girls.
But this guy was no middle-aged creeper. If she hadn’t just seen him blow a guy away, she might think he was hot.
She didn’t want to look in his eyes again, but something made her look again. When she did, she shivered again and goose bumps broke out on her arms.
This dude’s not right.
“Come with me,” he said at last.
Without thinking, she blurted out, “No thanks.” She wished she had taken the time to compose a more diplomatic way of saying that.
“It was not a request, but a command,” he said. His voice had become more firm and deeper. “Come with me.”
“Why?”
He looked her up and down. “You will be my bitch. The master will like you. I know that he will,” the man said.
Master? What the hell is he talking about? I bet he’s in some bat-shit-crazy cult or something. Then a horrid thought came to her mind. They want to rape me. Master. I’ll be a sex slave. Fresh, hot tears streamed down her face and fell into her lap.
“Thanks, but no. I . . . I have a boyfriend,” she said. “And, I’m only seventeen. You know, jail bait.”
The black-eyed man let out a throaty laugh, but his eyes didn’t laugh. They remained cold and hard and black.
“Come with me, or die,” he said. To illustrate the choice, he pulled the gun up and pointed it to her head.
“Help!” Sophie screamed. “Help, he’s going to kill me!” Doesn’t anyone see this maniac with a gun? Doesn’t anyone care? Sophie glanced to her right and saw a car right next to her. But the driver’s eyes were fixed forward, seemingly oblivious to her plight. Sophie suddenly felt wholly alone in the world, as if there existed only her and the black-eyed maniac with a gun to her head.
“Help me!” she screamed again as loudly as she could. But the driver in the car next to her didn’t even flinch.
“Last chance. You’re one hot bitch, but I haven’t got all day. Come with me, or die.”
“Why are you doing this?”
“Because I can.”
“But the police are on their way. And where are you going to take me? You’re car is gridlocked. You’ll go to jail.”
He answered with laughter.
“You’ve got a nice rack. You would have been fun,” he said.
The black-eyed man walked back to his car, stepped over the red-faced man’s lifeless body, closed the car door, put his gun under the seat and drove off into the now free-flowing traffic. Away from the sound of sirens. Away from Sophie’s car. Away from her still-warm body, slumped over the steering wheel.


Tuesday, July 2, 2013

Teaser Tuesday: Maybe it was the Moon, or Maybe it was his Tongue in my Ear

Emily's Trial, Book 2 of the Akasha Chronicle
by Natalie Wright
Cover Model, Ashley Philips
In Emily's Trial (Book 2 of the Akasha Chronicles), Emily's adventure continues. She may be a magical Priestess, but she's also a sixteen-year-old girl looking for love. Can desire be so strong that it can tempt a girl to use her sacred magic in a forbidden way? Here's a teaser from Emily's Trial:



The shock of the crisp October air felt refreshing. It was chilly and smelled of fallen leaves. The moon was high and large, about three quarters full. The trees were almost bare. There were a few couples in the yard, most of them pressed close, their lips locked, hands roaming. I tried not to look because it felt creepy to watch people make out.
Owen walked me to a swinging seat hung from an enormous oak tree in the middle of the yard. I sat down and felt glad to have the wood swing beneath me.
“Hey Sporty, why don’t you go inside and get yourself a drink or something,” Owen said to Fanny.
“Nah, I’m good.” Fanny stood her ground in front of the swing. I glared at her hard, trying to get her to take the hint and give me some alone time with Owen. Either she couldn’t see me glare in the dark, or she chose to ignore me because she didn’t budge.
I was getting pissed as hell at her. I didn’t need Fanny acting like a mother hen, hovering over me all the time. It’s like sometimes she and Jake don’t get that we’re growing up. It’s like they still want everything to be like it was when we were ten or something.
Owen just shrugged his shoulders, sat down next to me, and he put his arm around my shoulders. He leaned his lips close to my ear and whispered, “So, you ever go anywhere without the pest?”
I threw my head back and let out a huge laugh. He hit the nail on the head.
“Yes,” I said.
“Good to know,” he whispered back then gently flicked his tongue into my ear. The flames of my passion were licking upward from my loins. I was thinking hard to Fanny to scram. But Fanny has zero telepathic skills, and she pretty much sucks at reading body language too so she didn't get the hint to scram. Is she hoping to watch us make out or something? Fanny sticking around was starting to feel like prying, not protection.
Owen kept his arm around my shoulder but removed his tongue and lips from my ear. Suddenly, my ear felt cold, and a shiver ran through me. Owen seemed to know the effect he had on me. He wore a look of smug satisfaction on his face.
“So, Sporty, since you won’t take a hint and beat it, entertain me. What sports do you play?”
“Volleyball, softball, basketball.”
“Aren’t you kinda short for basketball?”
“Guard,” she said.
Riveting conversation, and not nearly as entertaining as having Owen's tongue in my ear. Owen must have thought so too because he changed the subject quickly.
“Emily, my Miss Magic. Pretty impressive what you did back there with supreme jerk of the evening, Tad. I want to apologize for those knuckle draggers.”
“It’s okay, really.”
“No, it’s not. You’re smart, not one of those sycophant bimbos usually hanging around with us. They’re not used to girls who have more to offer than just someone pretty to look at and make out with.”
I’m not sure if he was trying to compliment me or not. Was he saying I was cute and  smart? Or was he excepting me out of the category of girls pretty enough to look at and make out with?
“What about you, Owen? Are you interested in more than just someone to make out with?” asked Fanny.
“I’m here with you two instead of in there. What do you think?”
Fanny’s face softened then, and she seemed to relax a little.
“So answer me this Miss Magic. Aren’t you bored with just spinning drunk assholes in the air?”
Of course I was. My boredom had gotten so pathetic, I'd stooped to dropping salads on Greta.
“Yes. Yes I am.”

If you want to find out what happens, read Emily's Trial. And now is the perfect time to hang out with Emily because Emily's Trial is on sale through July, 2013. Regularly $2.99, you can snag Emily's Trial now for 99 cents!
Thanks for reading and stayed tuned for more Tuesday teasers :-D

Purchase Emily's Trial at these retailers:
Smashwords: http://bit.ly/UJuq9M
Barnes & Noble: http://bit.ly/1ckGykI
Paperback available at Powell's: http://bit.ly/R4hBS9

Friday, May 10, 2013

Happy Mother's Day!


Mother's Day Comments

~Magickal Graphics~


I remember (vaguely!) the days before I had a child. Back then, fear for me came in the form of the things that go bump in the night. I was afraid of the things I couldn't see. I'd bring down the blinds on the windows promptly at nightfall for fear that I'd see beady red eyes looking back in at me (thanks to the movie The Amityville Horror).

But as soon as I held that dear little baby girl in my arms - no, even when she was still inside me - fear took on a new meaning. It's not even that fear doubled - now fear for my own safety as well as hers - but that what I was afraid of changed.

Before I had my daughter, I didn't spend much time being afraid of other people. But I recall clearly the first time I took her to a park to play and seeing a lone man loitering about and having my "mother alert" go into high gear. If I had been by myself - before child - I probably wouldn't have given that guy a second thought.

Germs, pools, electrical outlets, driving in the car. Before a child, none of these things were on my radar as a daily danger. After a child, these common daily things became fuel for daily nightmares of "what ifs" and cautious safeguards.

It wasn't like I was cavalier and reckless with my life before I had a child. I'm not one to skydive, bungee jump and generally throw caution to the wind with massive risk-taking behaviors. But after I had her, the meaning - and importance - of my own life took on a whole new meaning.

And with each passing day of her life, my fear for the loss of my own life grew. What would happen to her if she lost me?

It was in fact out of that question - that nagging fear always present in some part of my brain - that inspired my characters and some plot points for my novel Emily's House. You see I didn't lose my own mother as a child (my mom's still living large at age 72). But I imagined what it would be like for my daughter who loves me so much that sometimes it makes her cry with joy (she's a sensitive emotional little soul, just like her mamma, and not yet a teenager!).


My life took on new meaning for me when my daughter was born. I mattered to her, more than anything. I was important to her, more than anything. And because she mattered to me, more than anything, I began to matter to me more too.

I know as she grows older I will become less the center of her world. She'll always love me big of course. But in time her peers and then boyfriends and perhaps some day her own sweet child will take over that place in her heart where once I lived - big and warm and all of everything.

And someday maybe she'll look into the eyes of her own sweet baby and see in the love there a new meaning to her own life. And she will treasure it all the more.

Friday, April 5, 2013

Friday Inspiration: Owen Breen - To Have, Not to Hold

Sometimes a song inspires me to write a scene - or even a whole novel!

At other times, I've already got a scene planned but I hear a song that perfectly captures the feeling of the scene. The song then becomes part of the "soundtrack" to the novel and the music helps me to solidify the feeling of the scene in my mind.

When writing Emily's Trial, I knew that Emily was going to be drawn to a hot guy. And I knew that it would be this attraction that would tempt her to use her magic in a forbidden way. Is this guy hot enough to tempt a young woman to do something she knows she shouldn't do?
Ian Somerholder, Perfect to play Owen Breen
Have you ever done something really stupid or something you later regretted for love or attraction?

In Emily's Trial, Emily is drawn to Owen Breen like a moth to a flame. It feels inexplicable to her, but she can't help herself. Why is she drawn to him beyond all reason?

You'll have to read the book to find out ;-)

Madonna's song "To Have and Not to Hold" perfectly captures what Emily is feeling in Emily's Trial.


To have, and not to hold
So hot, yet so cold
My heart is your hand
And yet you never stand
Close enough for me to have my way.


Like a moth, to a flame
Only I am to blame.
Ba da ba da ba ba,
What can I do?
Ba da ba da ba ba,
I got straight to you.

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